一位星际旅行画家爱上了同样在星际旅行的女孩，却发现她在讨价还价方面比自己更厉害。

The story centers on the melody played by the protagonist (Yoh). When his voice transcends time and space to reach Meguriboshi (another planet far away from Earth), many mysteries that were not told in the original story are revealed.

Not One and Not Two - a Buddhist belief that means that while individuals are not the same, they are also not different, either. At the same time, this is a question the film Not One and Not Two asks. The first episode of the film centers on a man who has fallen ill, but who attempts to gain enlightenment through mental training. The following segment tells the story of a woman who is an artist and preparing for new work. The man and the woman are in the same place but in different time zones, intersecting each other. It is meaningless to elaborate on the story of Not One and Not Two. Despite its short running time, the film offers a variety of experimental and provocative visual potentials. It becomes a mystery in content and a fascination in form. Using the problems of angles, colors, rhythms, speed, and time, we can implement the question and the answer through this movie

Straight to the heart: a fleeting collision on a street corner, Mathilda and Bronski's first encounter. Andi will meet Johanna, who has to tame her daughter Mandy. Andi will meet David, who is trying to cope with his girlfriend Ali's ambitious career aspirations with an extensive load of booze. Tragicomic stories of encounters, relationships, loneliness and love....

In 2009 Maureen & James Tusty, filmmakers for The Singing Revolution, produced a second film out of Estonia. Seen nationally on U.S. Public Broadcasting, this one hour documentary tells the history of Estonia’s massive Song Festival, and the role music plays in Estonian culture, even today.

A short film by the United Jewish Appeal, directed by David Lowell Rich and starring Guy Madison, Felicia Farr and Agnes Moorehead, made by the core crew of many Columbia noirs, including cinematographer Burnett Guffey, art director Cary Odell, editor Al Clark, set decorator Frank Tuttle, and composer Morris Stoloff.

A disgruntled customer confronts a furniture dropshipper whom she believes should have shipped her two chairs, not one.

Close to turning forty and away from his job as a librarian due to depression, Marcos needs to take care of Baby, his sister's pet dog. Isolated in an apartment in the city center, Marcos relies on the support of analyst Dr. Juliana R., who sees him in therapy sessions. Together, they look for ways to deal with the grief over the death of his ex-boyfriend, Pedro, and the arrival of a new love, Gabriel. Baby, a special hairless dog of Aztec origin, will redefine his relationship with the world of the dead and the living as well.

Anna, married to the lawyer Rainer, despite all remorse, begins a liaison with the charming pharmaceutical representative Lars - fortunately the husband of her friend Bettina. Their meeting in a luxury hotel has fatal consequences: Anna and Lars are ear-witnesses of a supposed murder on the head of a call girl ring. Mistakenly, Anne's brother Max was suspected of doing something. Bettina, who has useful contacts due to her thriving wellness center, ensures that Max is released on bail. However, to acquit him they need Anna's statement - which would inevitably reveal her affair with Lars. So there has to be another solution...

Scratched directly onto 35mm film stock, this abstract film is a visual interpretation of a piece for solo violin based on a Bosnian popular song from Bosnia-Herzegovina. The composer, Malcolm Goldstein, describes it as a gesture of hope for peace in that land ravaged by war during the 1990s.